some stuff i've been lookin at

i've been interested lately in different ways to map information/aesthetics of info. i'm very jealous of sites like these:

http://www.visualcomplexity.com

http://www.informationisbeautiful.net/

daniel

i met Daniel in my shop
hes an architect by trade and a graduate of an art school somewhere down the line
he started creating this work recently , i think to get back into art
i enjoyed looking at his work. so i hope you get something out of it

what we're lookin' at

Travis recently mentioned that it might be worthwhile to occasionally upload pics of artwork we've been inspired by or interested in, and I agreed.

I'm posting a couple images of digital collages, created by MSU BFA student Erica Birkhold, that are currently showing at scene. These are large prints, roughly 36x52, displayed like unframed posters. I first saw Erica's work in the fall. I was attracted to the color, the embracing of fashion and media culture. In short, I thought they were bright and hip. They're "me" collages in a sense that the subject matter reflects things that interest or reflect Erica: she's a young woman, she likes fashion, she likes nature, and she likes color. There are four posters in the gallery in all, and they've garnered a lot of attention. They've been featured in two different feature articles in two local publications...I've overheard one artist reflect that they'd be cooler if they were paintings, that they lack surface quality, but I think this misses the point and is completely off the mark.

I've received permission from the artist to post these, and I've supplied her with the link and explained our format. Thus, comments are welcomed.

Bleed

Bleed, 2010



(1st panel)
ink jet on photo paper
8"x8"



(2nd panel)
ink jet on patterned paper
8"x8"



(3rd panel)
acrylic on paper
8"x8"

Dumpster Diving

An Alternative to War, 2010
acrylic, gouache & oil paintstick on found masonite with pre-existing imagery
24"x24"



A Reasonable Perspective, 2010
acrylic, gouache & crayon on found masonite with pre-existing imagery
24"x24"


So I went to open studios at Kresge last spring, and there were several large pieces of masonite in one artist's studio. It looked like someone had pasted film stills or posters across the masonite. Some of it had been painted on. I'm guessing that it had been the basis of some BFA's design project or something. The artist didn't know what he was going to do with it, but he was excited about the possibilities. Ironically, I happened to find the masonite in Kresge's dumpster shortly after that particular visit. I couldn't help myself. I envisioned working on this masonite and hanging a guerrilla art exhibit of them in the halls of Kresge late at night where the artist would see them. So I took the masonite to a friend's place and cut it up into squares. It's been in my basement for about nine months...

Feedback welcomed.

PANIC SCHEMATIC

this painting took absolutely forever...the stripes in that chair took like a week.

Panic Schematic 48'x48'...the texture in the back is recycled tape i used to make the black lines, the shadows are oil glazes the funky patterns are cut up post it notes and everything else is a ton of acrylic.

so i need a break from these paintings...i did 7 four foot squares...i really wanna show them now and for the show i want to try to make some of the gadgets in the paintings. i bought an arduino (www.arduino.cc) and i'm learning to program it to make impossible gadgetry...we'll see. i gotta find a place to hang these. i think all 7 would look real sweet. and then like a table in the middle filled with weird interactive electronics. i was also thinking about wiring some of the paintings so if you touch them they make sounds...i dunno...

also i'm doing little cactus/furniture paintings for brightrain. i'll post some of those soon. and working on some web pages. so much cool stuff to learn about!

Flawed

Flawed, 2010
acrylic on masonite
24"x24"

As with the small grouping, your feedback is appreciated. It was very hard to capture the actual color of this piece. The pink is a little warmer, and the teal is a little bluer, but the image is fairly close.

I'm trying to work a lot of ideas out in my head right now about painting in general...I don't know why I continuous want to return to 1958...

Flawed

Flawed, 2010



first pane, inkjet on photo paper, 8"x8"



second panel, inkjet on patterned paper, 8"x8"



third panel, acrylic on paper, 8"x8"


So, let me know what you think. I won't reveal any of my thoughts or feelings about this grouping until I get some feedback.

newest quilt top

hey y'all. i'm back from my quarter life crisis or whatever and this is the latest quilt. i'm thinking of these small quilts as sketches for a large quilt. i think that i will lean toward stripes and plaids in the future, and show case just one or two cute florals. i like the way the stripes give depth and make the highways look more structural. the white background on this piece is actually a white on white print, i'm not sure you can see it from the picture. this color scheme is kind of weird. i'm not sure that i like it. i really liked the brown and purple one on one of the previous quilts. i am painting too and plan to really use lightgeist. i respect and welcome all of your comments and opinions! thanks!

New Series/New Ideas

For the longest time, I've been thinking about how to incorporate technology into process. I'm done thinking about it. In this new series of three panel artworks on paper, I'm creating an 8"x8" painting on paper, then creating an 8"x8" abstraction on patterned paper with software and inkjet printer, then scanning the original painting and tweaking, flipping and enhancing it in Photoshop before printing an 8"x8" image on paper with inkjet printer.

These can be displayed horizontally or vertically: top image is the Photoshopped image; middle image is the abstraction created with Publisher; bottom image is the original painting. All pieces 8"x8". Untitled at this point.

All feedback welcome. Don't spare my feelings.

Denim Jacket by Tim Lane

Some time btwn 2002-2004, I stenciled the head of the Statue of Liberty (in black) on the back of this jacket, and sprayed the collar pink. Now, that older meditation on the freedom of expression (read emotion minus repression) has been merged with my recent meditation on the possibility of our embracing of "the rest of the world's game" aiding in the creation of a genuine global village.




acrylic on denim, 12/24/09

chirp 64 (thesaint)

chirp 64
acrylic, gouache and oil on birch
3x4'

i had a blast with this one
and i stopped myself before i ruined it (imop)
i started with the silkscreen pattern and ended with some airbrush and oil paint.
im open to criticism, what do you think of it, the airbrush parts and the patterned parts?
does it jibe?

new bird,
chirp 60 21 x 29ish
watercolor on paper
yo.

Soccer Players, Dryer Lint, the Future & Mortality

click on image to enlarge
_

Hi, my name is timlane.
_

Soccer Player (with Red Aura), 2009
mixed media on dryer lint mounted on canvas
6"x6"

The sun came out for a minute.

new one

An Unfortunately Impossible Machine 48"x48" acrylic and tape on canvas over panel

i also made a webpage to go along with this painting: http://www.ithappenedhere.org

i've been thinking about memory and trying to incorporate it into my work. thus the early 90s references. the maps are 6 different places where i have lived before. the cockpit i did from those earlier drawings...i picked the drawing you guys liked the best and made it into this here painting...

Finally got my camera situation fixed!!!

The Soccer Players (Heralds of the Future)
24"x24"



The Soccer Player (for Zach)
6"x6"



The Soccer Player (for Jackie)
6"x6"



Tim Lane speaks to the masses
Video

megaman painting

A Room for Makoto Tomozawa, 48"x24" acrylic on canvas over panel

inspired by the music of MEGAMAN

i liked this piece from lastyear

chirp 49

newest big chriper.
just tryin to have fun,
i dont like canvas, and during this piece i realized this temporary truth again and again.
i wish the color was slightly different, might rework at some point, make it a little more solid.
might start collaging these things soon
40x44 acrlyic and oil on canvas

nother watercolor large port.

i love the large passages of watercolor.
i may just start abstract versions of them, but i have been saying that for a while. the hair here was not the direction i was planning, but watercolor has its own agenda and i had to make lemonade.
22x30 watercolor on paper