11/28/10

Two new pieces

These both have several layers of polymer (gloss) medium over them, with a final topcoat of matte medium to give them a beeswax-y/encaustic look:


Tesseract, 24"x24"


Observation, 12"x12"

9/14/10





chirp 107 (nessun dorma)
chirp 100

my 2 biggest watercolors.
30 x 44 ish
just wanted to post again
and see them together and get some feedback.
hope all is well with you peeps

6/10/10

JOY SHIT



JOY SHIT (Brilliant Blue with Naphthol Red Center), 2010




JOY SHIT (White with Lime Green Center), 2010




JOY SHIT (Naphthol Red), 2010




JOY SHIT (Brilliant Blue), 2010

JOY



Joy (Naphthol Red), 2010
acrylic paint & liquid gesso poured into molds
4.5"x6.5"x.25"




JOY (Brilliant Blue), 2010
acrylic paint & liquid gesso poured into molds
4.5"x6.5"x.25"

Simple and fun. I used black metal clips to hang Bum and Dope. These molds, and the circular ones that will follow, are bigger, and heavier. They look interesting sitting on the top of a white pedestal, or on the floor...

5/24/10

New Painting



The Painting Will Tell You When & How to Quit (The Beautiful Game), 2010
acrylic on masonite
24"x24"

Revisiting a theme that isn't quite that old yet. This is a painting that took me where it wanted to go...

5/18/10


These are some new paintings that I made. I've been doing furniture with plants.

5/16/10

chirp 92


thanks for posting guys,
you inspire me
so,
this is my newest bird chirp 92
i got super detailed with this one,
it might be driving me a little nuts
so im starting the "new matters" soon
which will be an exploration of abstraction and realism within a new format
like boxes/ triptychs/diptychs and on
i hope to have something tangable
but the idea is still birthing
i want to get back to my roots of creating visual disorientation
electric rods and cones

5/14/10

JOY N SHIT (No. 3), 2010



JOY N SHIT (No. 3), 2010
mixed media on found images on masonite
24"x24"

And so the JOY N SHIT series moves on. I am so fond of this image of the soccer player created from the source material of a photo of my daughter playing soccer. But I am just as fond of the image of the star...the numbers bar is from a board game, and I've been holding on to it for probably over five years. Not sure if it really adds to the painting, but there it is...feedback welcomed.

4/30/10

fantasy


im starting a fantasy art series for myself
here is the first
elf 1
not unlike my other work
but i would like to merge other aspects of my work into this approach
like taking fantasy to a more abstracted style
to see if i can mate it with high art
excited to get this bird book done
so i can move on to the new project!

4/29/10

The Joy N Shit series



Joy N Shit (Plaid Flowers), 2010
mixed media on canvas
8"x8"




Joy N Shit (Lint White Line), 2010
mixed media including dryer lint on canvas
8"x8"

4/14/10

Manchester United Seat or Foot Rest Series continued, 2010



This Is How We Do It in Lansing Even Tho This Photo Was Taken in East Lansing (Featuring Jonathan Ryan & Dylan Rogers of The Continental Things), 2010

digital photo





This Is How We Do It in Lansing Even Tho This Photo Was Taken in East Lansing (Featuring Jonathan Ryan of The Continental Things), 2010

digital photo

4/5/10

Manchester United Seat or Foot Rest Series, 2010



Manchester United Seat or Foot Rest, 2010
copy machine, milk crate, duct tape
15"x17"x14"
$1000

Prints also available




Midwestern Metrosexual Soccer Coach, 2010
digital photo
dimensions vary

Prints available



Midwestern Metrosexual Soccer Coach, 2010
digital photo
dimensions vary

Prints available

3/29/10

Dope



Same deal as Bum.

3/26/10

Bum



Bum, 2010
acrylic paint object
5"x5"

This was just something fun to do, but I like the result. Aaron showed me how to do this. I made this by simply pouring acrylic paint solutions onto a Tupperware tray and letting them dry before adding stenciled text. The end project is this brittle, yet rubbery, poured acrylic painting/object.

3/17/10

A couple new works



The first image, "Here To There," was my warm-up painting for 2010, I finished it and the bottom painting "Arboreum" around January 4th. Finally got a sunny day to photograph them! The middle piece is called "Transaxis" and I finished it about two days ago. It's a continuation of my cubes/rectangles geometric exploration. "Arboreum" is the largest painting from a series I've been at work on for about a year, mostly smaller works on paper thus far. I hope to paint 20 or so more, pick the 8-10 best ones, and show them all together somewhere.


2/21/10

Sarah Lucas, Damien Hurst, Angus Fairhurst

Currently looking at work by Sarah Lucas and Damien Hirst. Sarah Lucas could be one of my new fav artists. I've been reading and looking at work in a book called In-A-Gadda-Da-Vida, published by Tate. It features a show that Angus Fairhust, Damien Hirst and Sarah Lucas put together in 2004. The show might reinforce a notion I've had that similar artists, working separately though in proximity, create a charged body of work when they are working toward a singular show. The energy created when artists are keeping close tabs on each other and are in and out of each other's studios, while working toward a show together, seems to generate good art across the board. This is just a thought, or, something I'd like to believe. I am not even sure that the above artists actually worked that way, though the show seems to have created a fairly unified body of work, or work that complements each other. Maybe they were just similar artists that a good curator pulled together for a show. I don't know. The link I'm providing doesn't provide a great gallery of images. There might be better ones out there...

http://www.tate.org.uk/britain/exhibitions/inagaddadavida/gallery.htm

2/18/10

New Painting



Entering the Mainstream, 2010
mixed media on found masonite with pre-existing images
24"x24"

Okay, so I'm done with this idea of stars and soccer players, etc., on the found masonite for now. I felt the need to make something; the needs been satisfied. I'm happy with this trio, but they don't really WOW me in any major way.

Would like to take the images that I've been digitally manipulating and project them on the wall in large, medium and small dimensions. Does anyone have ten thousand bucks I can have?

The three new paintings are priced at $5,000 apiece, or all three for $10,000.

I've been very dissatisfied with painting. There's so much out there; I guess I've really lost interest in painting for the moment and feel the need to explore other possibilities.

I've turned to videos/short short films for the moment. I'm also working on some ideas for sound/screenplay installations. Aaron and I made a film yesterday called Changing Coats that no one, except my family, will probably ever see...

2/14/10

some stuff i've been lookin at

i've been interested lately in different ways to map information/aesthetics of info. i'm very jealous of sites like these:




2/13/10

daniel



i met Daniel in my shop
hes an architect by trade and a graduate of an art school somewhere down the line
he started creating this work recently , i think to get back into art
i enjoyed looking at his work. so i hope you get something out of it

2/12/10

what we're lookin' at





Travis recently mentioned that it might be worthwhile to occasionally upload pics of artwork we've been inspired by or interested in, and I agreed.

I'm posting a couple images of digital collages, created by MSU BFA student Erica Birkhold, that are currently showing at scene. These are large prints, roughly 36x52, displayed like unframed posters. I first saw Erica's work in the fall. I was attracted to the color, the embracing of fashion and media culture. In short, I thought they were bright and hip. They're "me" collages in a sense that the subject matter reflects things that interest or reflect Erica: she's a young woman, she likes fashion, she likes nature, and she likes color. There are four posters in the gallery in all, and they've garnered a lot of attention. They've been featured in two different feature articles in two local publications...I've overheard one artist reflect that they'd be cooler if they were paintings, that they lack surface quality, but I think this misses the point and is completely off the mark.

I've received permission from the artist to post these, and I've supplied her with the link and explained our format. Thus, comments are welcomed.

1/28/10

Bleed

Bleed, 2010



(1st panel)
ink jet on photo paper
8"x8"



(2nd panel)
ink jet on patterned paper
8"x8"



(3rd panel)
acrylic on paper
8"x8"

1/27/10

Dumpster Diving



An Alternative to War, 2010
acrylic, gouache & oil paintstick on found masonite with pre-existing imagery
24"x24"



A Reasonable Perspective, 2010
acrylic, gouache & crayon on found masonite with pre-existing imagery
24"x24"


So I went to open studios at Kresge last spring, and there were several large pieces of masonite in one artist's studio. It looked like someone had pasted film stills or posters across the masonite. Some of it had been painted on. I'm guessing that it had been the basis of some BFA's design project or something. The artist didn't know what he was going to do with it, but he was excited about the possibilities. Ironically, I happened to find the masonite in Kresge's dumpster shortly after that particular visit. I couldn't help myself. I envisioned working on this masonite and hanging a guerrilla art exhibit of them in the halls of Kresge late at night where the artist would see them. So I took the masonite to a friend's place and cut it up into squares. It's been in my basement for about nine months...

Feedback welcomed.

1/26/10

PANIC SCHEMATIC

this painting took absolutely forever...the stripes in that chair took like a week.
Panic Schematic 48'x48'...the texture in the back is recycled tape i used to make the black lines, the shadows are oil glazes the funky patterns are cut up post it notes and everything else is a ton of acrylic.
so i need a break from these paintings...i did 7 four foot squares...i really wanna show them now and for the show i want to try to make some of the gadgets in the paintings. i bought an arduino (www.arduino.cc) and i'm learning to program it to make impossible gadgetry...we'll see. i gotta find a place to hang these. i think all 7 would look real sweet. and then like a table in the middle filled with weird interactive electronics. i was also thinking about wiring some of the paintings so if you touch them they make sounds...i dunno...

also i'm doing little cactus/furniture paintings for brightrain. i'll post some of those soon. and working on some web pages. so much cool stuff to learn about!

1/20/10

Flawed



Flawed, 2010
acrylic on masonite
24"x24"

As with the small grouping, your feedback is appreciated. It was very hard to capture the actual color of this piece. The pink is a little warmer, and the teal is a little bluer, but the image is fairly close.

I'm trying to work a lot of ideas out in my head right now about painting in general...I don't know why I continuous want to return to 1958...

Flawed

Flawed, 2010



first pane, inkjet on photo paper, 8"x8"



second panel, inkjet on patterned paper, 8"x8"



third panel, acrylic on paper, 8"x8"


So, let me know what you think. I won't reveal any of my thoughts or feelings about this grouping until I get some feedback.

1/10/10

newest quilt top



hey y'all. i'm back from my quarter life crisis or whatever and this is the latest quilt. i'm thinking of these small quilts as sketches for a large quilt. i think that i will lean toward stripes and plaids in the future, and show case just one or two cute florals. i like the way the stripes give depth and make the highways look more structural. the white background on this piece is actually a white on white print, i'm not sure you can see it from the picture. this color scheme is kind of weird. i'm not sure that i like it. i really liked the brown and purple one on one of the previous quilts. i am painting too and plan to really use lightgeist. i respect and welcome all of your comments and opinions! thanks!

12/29/09

New Series/New Ideas







For the longest time, I've been thinking about how to incorporate technology into process. I'm done thinking about it. In this new series of three panel artworks on paper, I'm creating an 8"x8" painting on paper, then creating an 8"x8" abstraction on patterned paper with software and inkjet printer, then scanning the original painting and tweaking, flipping and enhancing it in Photoshop before printing an 8"x8" image on paper with inkjet printer.

These can be displayed horizontally or vertically: top image is the Photoshopped image; middle image is the abstraction created with Publisher; bottom image is the original painting. All pieces 8"x8". Untitled at this point.

All feedback welcome. Don't spare my feelings.

12/24/09

Denim Jacket by Tim Lane

Some time btwn 2002-2004, I stenciled the head of the Statue of Liberty (in black) on the back of this jacket, and sprayed the collar pink. Now, that older meditation on the freedom of expression (read emotion minus repression) has been merged with my recent meditation on the possibility of our embracing of "the rest of the world's game" aiding in the creation of a genuine global village.




acrylic on denim, 12/24/09