9/24/09

abstract stuff



i just had to get this outta my system...i was messing around with more transparent gel colors and stuff making these squares. there're actually 6 of them but i accidently photographed the same one twice and now it's dark and i don't feel like getting the 6th...you get the idea anyway. they're acrylic on 12"x12" wood...
the top piece was me peeling the paint off the tape i used to make the squares and putting it in a container and then i organized it in a grid and put medium over it so they all stick there. i have enough to make one more i'll probably do later.

9/2/09

chirp 30

i had to scan this in pieces, might need training from nate again on how to make it seamless...
anyway. didnt have a camera, this was the best bird i have made in my opinion. wanted to share it.
he has a husky-ness

fat beat factory

Fat Beat Factory 48"x48" acrylic and tape on canvas over panel

so mostly i wanna know two things...1) i left the chairs incomplete. what do you think? 2) what do you really think about the lack of perspective? i find perspective real boring and tedious and plus i like the dizzying feeling of the rooms w/out it so i don't use it. but do the paintings suffer? would these be better in perspective?
any other feedback always appreciated!!

the floor didn't photograph too well...i first used a bronze iridescent and then splashed blue and red paint on with a toothbrush and then put a fat glaze with a little interference blue on top of that...it's hard to see in the photo.





chirp27

little chirp
27

8/20/09

Another Damn Day at the Office

it had to be done eventually...i let the landscape take over the interior. what do you think?
Another Damn Day at the Office
48"x48" acrylic with oil glazes on canvas stretched over panel

8/16/09

bbbbbbbbeeerdsssss


so , heres a recent installment
the top is a watercolor 20x20 ish
the bottom is an acrylic/oil 32x49 framed

in my watercolors i recently found these orbs interesting,
though im really watching myself not to get too formulaic
in my recent bird work, the next installment, im trying to scale back the complexity
well , see,
the bottom piece was fun and chirpful, im realizing i shine a bit more on a hard surface
i hate the bounce of canvas (which im currently battling with, and i knew i shouldnt have started it) so i think im going to just work on paper and board until i need to try textured bounce again.
im still trying to riff-it and come up with new and authentic approaches, as i said, once i find something that works, i usually forget to use the mind i was previously using when i was discovering and falling back to my formulas
which need to be balanced by sponetneity
imop.
thats a constant battle in my work
it slightly applys to these pieces

8/11/09

little things









these are all about 11"x11" on wood...in acrylic with some tape in most of'um. the wood cutter at lowes was out of service so i couldn't make big stretchers for a few weeks so i bought some wood and hack sawed it apart and made these while i waited for the hardware store to fix their big ass saw.

8/8/09

new portrait


22x30 watercolor on paper
not sure what to call her,
the goal was to take a format i used to paint in and work within my present process and thoughts.

7/29/09

burn it

july stuff



small medium large of july
these birds keep me inventing
and inspired.
working with minor wrist and arm pain from gaming and painting
nate told me to take salty baths

more new stuff

The Invisible Ladder 19"x24" acrylic oil and tape on paper

Control Room 4'x4' acrylic oil and tape on canvas stretched over panel

7/20/09

new stuff on paper

Open Window 19x24 acrylic and oil on paper

The Open Box 19x24 acrylic and tape on paper

Blue Chair, Yellow Chair and Red Chair 8.5x11 acrylic and oil on paper

Overlook 8.5x11 acrylic and oil on paper

Japanese Room 8.5x11 acrylic and oil and tape on paper

Holiday House 8.5x11 acrylic and oil on paper


the smaller paintings i made because i want to turn them into prints. do you think they'll work as prints? The top, bigger two were just me messing around...

7/14/09

The New Version...



Same dimensions and materials as the first version below...same crappy cell phone...however, this image seems to be better. Well, after posting the original and talking to a couple of you, I decided that I was pretty unhappy with the painting. I feel better about this version. Note: the image of the soccer player in the lower center foreground is a completely new addition...

7/13/09

HIs Shirt. doG _ ribbions






being an artist

so then we work and work and work,
and for me i paint_ i paint_ i paint,
and more recently I have had a couple of shows,
therefore, I have been working extra mad.
so then
what?
comes from this.
you see now i am just in the wondering about it all phases.
i wonder about your experience after shows,
i think i might just lock myself in the closet for three years.
to me i think the best part of any show ___ is making the show,
then
after the show you have to just do nothing.
and now when i see the work i think it might be better of floating down the nearest river.
i am wondering to you.
and to all of you_
what are the up's and down of your work?
do you always love your work?
when are you most close to your work?
how does it feel when you stand in a room full of people looking at your work?
what does it mean if you sell your work?
what does it mean if you do not sell your work?
it order for me to ask these questions , i feel I should give you a little insight to the answers i have come upon.
first of all.
I hate showing my work, and when I am showing it, it is when i hate the work the most.
I love the work the most when it is in my studio.
just me and the work. then when it leaves, I feel I no longer have any connection with it.
sometimes people will say..
"i love your paintings"
and I am like ___ "paintings what paintings?"
as in I almost forget that they are mine hanging upon the walls.
.
anyway ___ is it work?
and why work?
you see too I have been thinking in the last months.
...
about the whole artist thing at all.
i suppose for about 7 years i was so driven by it.....
to make it
to show it
to sell it
and now i am just thinking ,
what the F *#K.
>
artist.
ugh.
could this just be the come down after a show.
I was told last week by some one I really trust,
that one could not be faking "being a painter"
if one loved it so much and lost track of time while doing it.
you see,
i work say 60 hours per week in my studio,
and i must say it might border on an obsession.
then
you
take
your
labor
of
loves
and put them into a public space and then you are left with nothing to work on.
it is like a big wave of water drying up mid-stream.
....
maybe it is like any other job...
and
then
you
nearly
collapse
after
months
and months
of work.
well the last thing i would like to say.
___the last thing I would like to wonder...
is this
do you feel that you have already moved past your "newest" work when it it finished.
in that_
you feel that you will make better and different works__whist you have the newest and freshest works right in front of you?

Just Curious KEllie

7/8/09

New Painting

tim lane



The Attacking Third of the Field, 2009
acrylic, oil paintstick, crayon, cloth, bubble wrap, painters tape, dryer lint on paper
19.5"x22.5"

6/27/09

Monte Do Gozo Mall

Monte De Gozo Mall
4'x4' feet Acrylic, Oil, Tape and QR Codes on canvas stretched over panel.
the landscape in the back is from Monte do Gozo in Spain. It's Galician for like...pleasure mount. it's the last city on the camino before Santiago and back in the day you used to be able to see Santiago from the top of the mountain where there's a little statue you can barely see in the picture. it's kinda center to the right. there is no mall that i know of in monte do gozo...until now.

b

6/26/09

champagne with yax kuk mo

i made this while waiting for paint to dry on a bigger 4'x4' piece. this is 24"x19", acrylic, tape and oil glazes. the pink, text like thing over the forest is tape. the statue is of yax kuk mo who was a mayan king of aztec decent and those rings around his eye are symbols of the storm god. but no storm is coming and everyone is chilling the f out sipping on cristale.
travis and molly good luck with the wedding stuff in michigan!!!
bradneRR

6/23/09

Temporarily


Here's a new 2' square painting, "Temporarily." This was originally going to have a lot more elements -- a couple ghostly icebergs painted floating in the "water" and on the horizon; also a sunken city that I spent quite a bit of time drawing pillars and urns and broken pediments for. Then I attempted to transfer the drawing of the ruins using a piece of paper bag and an oil stick -- total disaster. So I quickly wiped it all off. After a lot of consideration (and some urging from Randi to leave it simple), I decided to stay with this composition. I was trying to juxtapose something like a beautiful sunrise with a gathering storm -- or a tropical sky with arctic waters. The idea that a beautiful sky above reveals nothing about what is sunken and hidden, at least.

6/10/09

white background birds



here are chirp 16 top
and chirp 17 bottom
i keep exporing these birds
so with these two
i was watching dave chappelle...
maybe more importantly i been watching my process
these in particular i decided they were done before i put the big wash of color in the background
what do you think of them in comparison with the previous colored background birds?
the "public" reaction seems to be more in favor of the "finished" look of the others.
im glad i did these